Silver Sable was created by Tom DeFalco and Ron Frenz back in June of 1985 and first appeared in The Amazing Spider-Man #265. Sable is often an ally to Spider-Man but occasionally, her methods and who is paying her will put her at odds with Spidey and the other heroes of Marvel Universe.
Silver Sable, born Silver Sablinova, is a mercenary, war criminal hunter, leader of the Wolf Pack and CEO of Silver Sable International. She witnessed the killing of her mother by her father’s enemies. Her father, Ernst Sablinov, was a Nazi hunter. After her mother’s death she trained her body and mind into that of an elite assassin.
Sable’s activities as a mercenary, along with her team the Wolf Pack support the European state of Symkaria, her homeland. Symkaria is bordered by the country of Latveria, the home of Dr. Doom. Sable is known for her ice cold persona and absolute control over her emotions. Sable has worked not only with her own team but alongside such notables as Spider-Man, the Punisher, Captain America, Luke Cage and the Daredevil. As well as having formed unlikely alliances with Venom, Sandman and Deadpool. Outside of mercenary work, Sable continues her father’s work and hunts down war criminals. The very kind of people who murdered her mother.
After the Avengers are defeated by the Sinister Six, Sable recues Spider-man and the Black Widow, but is drowned in a final battle with the Rhino. But this being comics, she is later discovered to be alive and using her death as a cover so that she can hunt war criminals in anonymity.
Upon a closer look, Silver Sable is actually the closest Marvel has come to Batman. No superpowers, dead parent and an obsessive need to punish evil doers. A highly skilled fighter who is also a CEO of a major conglomerate with funds to wage a personal war.
A movie is in the works from Sony right now called Silver and Black. It is to go along with the Spider-Man film franchise that is kicking off and will feature Silver Sable and the Black Cat. That should be fun!
Astrid Mueller was a young child, walking with her family on the way to church when the truck ran her over in front of everyone. And then everyone watched as the driver purposely backed up and ran her over one more time. The accident that nearly crippled the child, also, in addition to the physical pain, changed Astrid in other ways as well.
Chloe Pierce was a journalist or had been at one time. That was before she had come home and found her fiancee Philip dead, half his face blown away by a bullet to the head. Self-inflicted. Three months before, Philip had picked up a self-help book by a guru, the new leader of a cult like group that had been gaining popularity. Frequented by celebrities and society elite, the guru, promises to help with her clients problems and stress and gain them an inner peace. But some of her clients cannot live with the enlightenment she shows. Some of her clients, like Chloe’s fiancee Philip, end up violently dead.
The guru is a fully grown, Astrid Mueller.
Now Chloe is determined to learn the truth behind Astrid and her organization and the suicides and the secret whispers she has heard of a place, where your darkest and deepest fears come to life. Where your worst moments are revealed. Your secrets exposed and laid bare. A place they call the Clean Room.
But is Astrid Mueller the truly evil person Chloe suspects her of being, or is Astrid the only thing that stands between the world and true evil?
I loved this graphic novel and has me pining to read the rest of these comics. Simone fills her book with characters that are intricately woven with emotions. Pain, grief, angst, and desire leap off the pages and the artwork of Jon Davis-Hunt blends these thoughts and words seamlessly. The plot grabs the reader and in no rush, builds in tension and horror as layers are peeled back. Clean Room, like the best comics, reads like a book. With really good artwork. It honors the genre of graphic novel but in no way accepts being limited by it. It is a book, if missed, that demands to be found and read.
This is what Vertigo was made for. The stories that steered just this mad side of mainstream comics. What Image has picked up and is currently doing so well. Only Vertigo has been doing it all along.
A terrific read!
Moonshine, Vol. 1 by Brian Azzarello is another in a line of terrific Image Comic titles that remind us of what makes the smaller distributors of comics (not Marvel or DC) so great. Years ago, a tale like Moonshine would have been relegated to the back rows of comic books, hidden behind doors and stacked under a sign depicting age restrictions and stamped with adult themes of sex and violence. And the supernatural. Or worse, so heavily censored that it would have lost its very soul, and soul is something Azzarello infuses into his storytelling. Soul. Dark and gritty yes. Violent and lustful yes. But soul none the less.
Its the Prohibition era and mob pretty boy, Lou Pirlo is sent from New York City by Mob Boss Joe Masseria to the backwoods of Appalachia, to find and deal with the best Moonshiner in West Virginia, Hiram Holt. Lou has always been a pretty boy, brought in to make the room look good but never ever given any thing real to do. This is the first time the Boss has given Lou any responsibility. The first time he’s put any faith in Pirlo. Lou figures this for an easy job. Just drive up into the hills and make a deal with some back wood hillbillies.
What Lou finds is a family that is as dark and violent as the mob he represents. A man in Hiram Holt who is not ready to give up control of the moonshine operation that he built. What Lou finds is that there is far more in the hills of Appalachia, far greater secrets than the moonshine. What Lou finds is the stuff of nightmares and children stories. What Lou finds in himself, caught in the crossfires of a violent war with no way out.
The team of Brian Azzarello and Eduardo Russo, who brought us the Eisner award winning 100 Bullets, team up again for this crime noire horror tale that is sure to delight old fans and raise the eyebrows of new ones. This is storytelling. This is comic books at its finest. You don’t need tights or robotic suits to tell a good story, you don’t need Infinity Wars and Clone Sagas. Sometimes all you need is a gangster, a dark night in the woods and a secret that nightmares are made out of.
And some moonshine.